b1837 UK d1926 Thomas Moran Locations Thomas Moran (February 12, 1837 - August 25, 1926) from Bolton, England was an artist of the Hudson River School who often painted the Rocky Mountains. Thomas Moran's vision of the Western landscape was critical to the creation of Yellowstone National Park. Thomas Moran along with Albert Bierstadt, Thomas Hill, and William Keith are sometimes referred to as belonging to the Rocky Mountain School of landscape painters because of all of the Western landscapes made by this group.   Related Paintings of Thomas Moran :. | Autumnal Woods | Tower Creek | Childe Rowland to the Dark Tower Came | New York | Autumn |
Related Artists:
Bernat, Martin
Spanish Early Renaissance Painter, 1454-1497
El Lissitzky
Russian 1890-1941 He was an important figure of the Russian avant garde, helping develop suprematism with his mentor, Kazimir Malevich, and designing numerous exhibition displays and propaganda works for the former Soviet Union. His work greatly influenced the Bauhaus and constructivist movements, and he experimented with production techniques and stylistic devices that would go on to dominate 20th century graphic design. El Lissitzky's entire career was laced with the belief that the artist could be an agent for change, later summarized with his edict, "das zielbewußte Schaffen" (goal-oriented creation). A Jew, he began his career illustrating Yiddish children's books in an effort to promote Jewish culture in Russia, a country that was undergoing massive change at the time and that had just repealed its anti-semitic laws. When only 15 he started teaching; a duty he would stay with for most of his life. Over the years, he taught in a variety of positions, schools, and artistic media, spreading and exchanging ideas. He took this ethic with him when he worked with Malevich in heading the suprematist art group UNOVIS, when he developed a variant suprematist series of his own, Proun, and further still in 1921, when he took up a job as the Russian cultural ambassador to Weimar Germany, working with and influencing important figures of the Bauhaus and De Stijl movements during his stay. In his remaining years he brought significant innovation and change to typography, exhibition design, photomontage, and book design, producing critically respected works and winning international acclaim for his exhibition design. This continued until his deathbed, where in 1941 he produced one of his last works ?? a Soviet propaganda poster rallying the people to construct more tanks for the fight against Nazi Germany.
Franciszek zmurko
(18 July 1859 in Lviv - 9 October 1910 in Warsaw) was a Polish painter. Zmurko began drawing lessons as a young boy in his hometown with the painter Franciszek Tepa. As an adolescent he moved to Krakow to study at the The Academy of Fine Arts where he had lessons from Jan Matejko. In 1877 Zmurko moved to Vienna, Austria where he was accepted at the Vienna Academy, but left soon thereafter to study under Aleksander Wagner in Munich. Zmurko returned to Krakow in 1880 and then moved to Warsaw in 1882 where he remained until his death in 1910.